Interview with Luc
Where are you from?
I’m originally from Schenectady, New York
but spent about half my life growing up in “Cow Country,
NY.”
Tell us your latest news?
I don’t really have any “latest news.”
I’m not important or interesting enough to have “news.”
When and why did you begin writing?
I don’t remember a time “before writing.”
I have always used writing as a form of escape, much like reading.
When I was a kid I used to write the worlds I wanted to live in.
As I grew up, I wrote more to purge the contents of my head.
When did you first consider yourself a writer?
I’m a writer? Who says that? I’m not
sure, yet, that I consider myself a writer. I think of myself
more as “someone who writes.”
What inspired you to write your first story?
The first one in my entire life that I can remember
was inspired by a class writing assignment. It was in first grade
and was called “The Night of the Ghost Prowler. But the
first story of my more or less adult life was inspired by a dream.
Who or what has influenced your writing,
and in what way?
My writing has been influenced by everything I have
ever read. Every writer has a different way of manipulating language,
of using words to paint pictures in the mind. I know I have absorbed
something from every word I have read. My writing has also been
influenced by my life. I don’t see how it could be otherwise.
We are formed by every moment of our life, every experience, every
thought we have. Every moment of my life has influenced the words
I write.
How has your environment/upbringing colored
your writing?
As I said in the previous question, every moment
of my life has influenced the words I write. I think, specifically,
some of the less pleasant things I have experienced have made
some of my writing dark. But all of my writing, I think, tends
to be a bit “psychological,” touching on the things
that go on inside the head—my characters’ heads, but
really my own.
Do you have a specific writing style?
I really had to think about this. I suppose much
of what I write is in the first person, from inside the character’s
head. I guess that is my “style,” that I tend to focus
very strongly on what my characters are feeling. When I write,
I am inside my character. My characters think a lot.
What genre are you most comfortable writing?
I don’t know. My writing is all over the place.
But what I really enjoy writing are stories where the main character
has a touch of madness, a slightly skewed perspective. And I like
to write things that are short and capture a moment. I think my
poetry is like that, also.
How did you come up with the title for your
story(s)?
Most of the time the title hits my head first and
then the story or poem forms around it.
Is there a message in your story that you
want readers to grasp?
I hate to say it because it makes me sound like
I take myself seriously, but yes, usually. There is usually something
in either the story (or poem) or the characters that I really
want the reader to notice, to think about. Often it is just that
I want the reader to think, to see through another’s eyes
for a moment.
How much of your story is realistic?
All of my characters come from inside me and most
have something of me, of my life, of my experiences, in them.
For everything I have written, I could point to something in my
life and say, “That’s where that came from.”
Are experiences based on someone you know,
or events in your life?
Yes, without exception. That doesn’t mean
all my characters or my stories are “about” someone
or something in my life. But I draw on my reality to create my
fiction.
What books/stories have most influenced
your life?
I have been influenced by everything I have ever
read. But the book that influenced me most is The Picture of Dorian
Gray by Oscar Wilde, which I first read when I was 13. It influenced
my thinking, my perception of life and of the effects of the passage
of time. It really gave me my first sense of the existence within
each of us of good and evil. And it made me question whether influence
of any kind is a good thing or a corrupting thing. I guess overall,
this book made me think. Another book that influenced me greatly
is Interview with the Vampire by Anne Rice. I would have to say
that it was the first book I ever read that made me aware of sensuality.
I remember reading it and thinking that the words and the images
made me feel like my fingers were running over satin. It awakened
that in me.
If you had to choose, which writer would
you consider a mentor?
I am “unmentored” really. Which is probably
reflected in my writing—in what I perceive as my lack of
“finished” quality. If I ever reach a point in my
head where I consider my writing to be “worthy,” I
will seek some advice from one or two writers whose writing makes
me really realize how writing SHOULD be.
What are you reading now?
I’m reading a few things online: Erebi Seeking
by Lugh, Someday Out of the Blue by Little BuddhaTW and From Behind
Those Eyes by Viv.
What new author has grasped your interest?
I haven’t been prowling the internet for that
long, really, so I don’t have a great sense of who is “new”
and who is not, and I haven’t been to a bookstore in far
too long. But I am completely hooked on Lugh’s writing.
What are your current projects?
Well, I am currently writing something that was
meant to be my submission for the Summer Anthology. It has already
gone over the word limit, however, so it will just have to be
something else. When it is done, I’ll figure out something
else for the anthology.
Name one entity that you feel supported
you outside of family members.
I can’t name just one. I have two friends,
Mark and Rob, who have read just about everything I have ever
written over the past few years while it was in progress and have
given me feedback and encouragement. I tend to find fault with
everything I write and they have both kept me writing when I have
really wanted to just burn everything I have ever written.
How does your family and/or friends feel
about your book or writing venture in general?
I have never really shared my writing with my family.
When I was a kid, my dad read my stories and my poems; but since
then, except for a poem or two, no one in my family has read anything
I have written. I have had a couple of friends in my “real
life” that I have trusted enough to let read some things
I have written. But there is too much of “me” in most
of my writing to share with people I have to look at. I know that
sounds strange.
Do you see writing as a long- or short-term
career?
It is something I will do as long as I can think
and type. Even if I never write anything that anyone ever reads,
I will still be writing. It clears my head and gives me my escape.
If you had to do it all over again, would
you change anything?
I don’t know. I have a great sense of “the
butterfly effect.” If I change something, what else would
change? So really, probably no.
Is there anything additional you would like
to share with your readers?
Yeah, two things. First, I hear a lot of people
say they would love to write a story but can’t write. Everyone
can write. Writing releases the things that are trapped in your
head—and you never know who may be touched by your word.
Second, if you read something, take a moment to give the writer
some feedback—even if it is not positive. I would rather
hear the words, “You know, that really sucked” than
to hear the sound of crickets chirping in the silence. I suspect
most people who write feel that way.